羽生結弦 (はにゅう ゆづる Hanyuu Yuzuru)
个人档案
姓名:羽生结弦 (はにゅう ゆづる Hanyuu Yuzuru)
昵称：yuzu ，きのこ（kinoko 由他的发型和签名而来）
生日:1994年12月7日
国籍:日本
出生地:宫城県仙台市
身高:170 cm
体重:53kg
足长：25.5CM
起步年龄：4岁
现任教练、编舞：阿部奈奈美
训练地点：Ice Rink仙台
家庭成员:双亲和姐姐
爱好:音乐 电视游戏（特别是棒球类）
擅长的学科：数学 理科
喜欢的食物：鸡蛋
喜欢的选手：普鲁申科 Johnny Weir 荒川静香
血型:B型
早期生涯:
羽生结弦于4岁时开始滑冰,于2004-05年度的Japan Novice Championships出道,并取得B组第一名。次年2006-07年度的Japan Novice Championships取得A组第三名。这个名次为他赢得了2006年的全日本青少年花样滑冰锦标赛的参赛资格,排名第七。
青少年时期
2008-2009年初次登上ISU Junior Grand Prix赛场,短节目第6自由滑第4,总排名第五.之后在2008的全日本青少年花样滑冰锦标赛中短节目57.52,自由滑124.92,总分182.17,排名第一,
这项排名为他赢得了2009年世界青少年锦标赛的参赛资格。
2009年-2010年赛季,在JGP托伦杯和克罗地亚两站排名第一后,进入ISU花样滑冰大奖赛青少年组总决赛,并以14岁年龄成为该比赛中最年轻的冠军。
在2010年3月7日举行的世界青少年花样滑冰锦标赛，羽生以短节目第三，自由滑逆转，总分排名第一，成为日本继高桥大辅，织田信成，小冢崇彦后第四位世青赛冠军。
成人组时期
2010年--2011年赛季
在赢得了所有青少年组的比赛后，羽生结弦于2010年赛季起正式升入成人组。第一站是大奖赛系列的NHK日本站，在自由滑中，他首次在ISU比赛中成功完成了后外点冰四周跳，总分排名第四。接下来的俄罗斯站，短节目正常发挥，在自由滑中多跳了个三周跳被判违规，总分位于第7。2010年年底的全日本锦标赛中，短节目发挥出色名列第2，但自由滑失误较多，综合第4，这个结果，使他被派去了四大洲花样滑冰锦标赛。初出场的四大洲锦标赛，短节目，自由滑中同时更新个人最好成绩，获得银牌，成为该赛事史上最年少的奖牌得主。
比赛成绩
2007-08 Season
日本青少年全国赛 ３位
2008-09Season
JGPメラーノ杯 ５位
日本青少年全国赛 優勝
全日本锦标赛 ８位
世青赛 １２位
2009-10Season
JGPトルン杯 優勝
JGPクロアチア杯 優勝
日本青少年全国赛 優勝
JGPF 優勝
全日本锦标赛 ６位
世青赛優勝
2010-11 Season
GPSNHK杯 ４位
GPS俄国杯 ７位
全日本锦标赛 ４位
四大洲锦标赛 ２位
2011-12Season
Nebelborn 杯 優勝
GPS中国杯 ４位
GPS俄国杯 優勝
Grand Prix 总决赛 ４位
全日本锦标赛 ３位
世锦赛 ３位
天才美少年羽生結弦 (Hanyu Yuzuru)
新一代男单里，IMO现在看只有羽生什么都有：脸庞秀气，身材伶俐，四肢修长，身体柔韧性，跳跃，滑行，旋转，表现力，心里素质，全都是顶级的。养这么一个孩儿，真是太开心了，每天坐在那里看他滑冰，就是最大的享受。我希望他能滑出一些不一样的超前的唯美的节目。。。。{:soso_e102:} 现在就是身体素质弱,体力差.
等强壮起来不得了.
我要是david wilson, 就倾心为韩愈打造一套唯美节目。中心词就是“美少年” ，可以参考古希腊，日本本土关于美少年的传说。出名要趁早，表演要趁好。恰恰16－17岁，如此好的青春，是完美的选择。18，9岁以后也许都不好了呢。
记得09年在莫斯科电视转播评论Kim的西贡小姐时，一副无动于衷曾经沧海的T太，听到金的年龄，也禁不住喃喃自语 “呵，17岁。。甜蜜的17岁”
短节目是“Icarus”,美少年追日，最终折翅坠海的传奇。开篇是（水仙）苏醒的少年，凭水照影，自我觉醒。中篇追逐所爱，纠缠，忘我，飞升。结束篇飞蛾投火一般的献祭之后，升华为群星中的一颗。
自由滑呢。没想好。
表演节目红楼梦好了。宝玉带鱼皆可！
{:soso__11338069844944878060_1:} 牛牛，好可爱 今年COC的时候我和浆心巧克力一起看比赛，浆心巧克力拜托我抛的娃娃后来在转播K&C区的时候正对着镜头。
转自blogspot 上的一篇评论
百度贴吧提供
《Romeo, oh Romeo》
The character of Romeo from William Shakespeare's Romeo and Juliet is one of the most famous and instantly recognisable characters from the English literary canon. Indeed, the name Romeo has at this point become more or less synonymous with the word lover, whether star-crossed or in a more general sense. The fame of the character of Romeo is a reflection of the widespread popularity of Shakespeare's play, one of the most famous and frequently performed plays even in Shakespeare's own lifetime. As such, it is not surprising that the enduring popularity of Romeo and Juliet has also extended to other media, including music (Tchaikovsky, Berlioz, Rota, etc), ballet (Prokofiev, among others), film (Zeffirelli, Luhrmann and countless others), and finally, figure skating.
With such a famous plotline built-in and a vast array of music choices to choose from, it is easy to see why theRomeo and Juliet theme has become a popular choice within all disciplines of figure skating. Romance, passion and angst are fashionable subjects to portray in skating and a Romeo and Juliet-themed program offers plenty of opportunities to indulge in such emotions. Rather tellingly, all three of the top Japanese men this season have used an incarnation of Romeo and Juliet sometime in their careers, to very different results.
http://player.youku.com/player.php/sid/XMjQ1MTcxMzIw/v.swf
Daisuke Takahashi's Romeo and Juliet draws from Tchaikovsky's famous and well-loved symphonic poem of the same name. Mr. Takahashi performed what still stands as his highest scoring free skate at 2008 Four Continents with this particular program, setting a world record that not only allowed him to crush eventual 2008 world champion and second-place finisher Jeffrey Buttle by over thirty points (!!!) but also stood for three years until 2011 Worlds in Moscow. With 2 quadruple jumps and 2 triple axels, Romeo and Juliet was the program that saw Mr. Takahashi at the peak of his jumping abilities.
Unfortunately, the program itself is pure pablum. Not only are the music cuts typical and uninspired, but they are slapped together in an incredibly lazy way--notice how both step sequences use the exact same cuts of music? In terms of choreography, there's nothing particularly interesting going on between the elements (or really, anything much at all), nor does the posing use the music in a particularly effective way. The bone structure--or so to speak--underlying the program is more reflective of Nikolai Morozov's choreographic style than of the music or the story of Romeo and Juliet.
Moreover, despite Mr. Takahashi's staggering interpretative abilities, Romeo and Juliet never seemed quite a comfortable or natural fit for him, and he never really made the music his own. Even at 2008 Four Continents, Mr. Takahashi had much more command and conviction during his Cyber Swan short program than with Romeo and Juliet. Part of the reason may be because that while Tchaikovsky's Romeo and Juliet is a very classical piece ideally suited for skaters with those perfect classical lines, Mr. Takahashi is not by any stretch of the imagination a classical sort of skater. For the lack of a better word, he's more....modern in his style and aesthetic, and when he tries to play the classical card as straight as he does in Romeo and Juliet with such mediocre choreography...the result is not very memorable outside of the impressive arsenal of jumps.
Also, what a terrible costume.
http://www.tudou.com/v/tZ2UoBCUs8k/&resourceId=0_04_02_99/v.swf
Takahiko Kozuka tried his hand as Romeo with Nino Rota's equally famous and well-loved music to Franco Zefferelli's film in what looks sort of like a tracksuit without a zipper and racing stripes. Mr. Kozuka used the music of Romeo and Juliet during the 2008-2009 season, a breakout season of sorts for him as he won his first Grand Prix and ISU championship medals that season.
Mr. Kozuka's version of Romeo and Juliet deserves credit for being more adventurous with its use of some less-used parts of Rota's score--i.e. practically every music cut except the overdone and very famous Love Theme, which Mr. Kozuka saves for his program's climax and end. Compared to Mr. Takahashi's version, Mr. Kozuka's is superior by virtue of actually having some choreography and transitions between the elements (e.g. that very beautiful long, held-out spread eagle) and the program has more of a discernible arc as a whole.
What hobbles Mr. Kozuka's Romeo and Juliet is unfortunately Mr. Kozuka himself. Simply put, Mr. Kozuka performs the program with the passion and emotion of Mitt Romney, with little attention paid to the program's phrasing or the meaning of the music's notes and color. Mr. Kozuka's Romeo and Juliet combines together many aspects of Rota's score, from turmoil (around 1:40) to the bright and sprightly bit used during the ball where Romeo and Juliet meet in Zefferelli's film (3:20) to the grand, sweeping love theme (4:20) but Mr. Kozuka's body language and carriage does not tangibly react to such changes in the mood or music. Moreover, Mr. Kozuka's movements seem almost perfunctory at times (e.g. when he raises his arms at 4:07) and there's quite a bit of time spent looking down at the ice. If Mr. Kozuka is trying to be Romeo, his portrayal most matches the time when Romeo thinks that Juliet has died and is walking around Mantua in a sort of dazed, grief-induced stu****ice edges, though.
http://player.youku.com/player.php/sid/XMzM1ODIwMDg4/v.swf
Yuzuru Hanyu is currently using Craig Armstrong's music to Baz Luhrmann's film Romeo + Juliet in his long program this season, which is turning out to be a sort of breakout season for him as well as Mr. Hanyu has won his first GP event, made his first GPF and landed on the podium of Japanese Nationals for the first time so far.
To me, Mr. Hanyu has the best Romeo and Juliet-themed program among the Japanese men overall, taking into account specifically the criteria of program construction, interpretation and fidelity to not only the music but also the character of Romeo himself. Mr. Hanyu's program, above all, encapsulates best what Romeo should be: bold, impetuous, passionate, prone to intense bouts of emotion to the point of recklessness but also capable of tender and profound love. The beginning and end of Mr. Hanyu's Romeo and Juliet represent the former, while the softer, lyrical middle captures the emotion of the latter. The choreography for the most part is quite decent and the music cuts appropriate, but it's truly Mr. Hanyu's sheer dedication to his performance throughout (especially during the bold, passionate parts) that goes a long way towards drawing out the emotion of the music and giving a great portrayal of Romeo. Though his movements in the slower section are often a bit rushed and could benefit from more softness and refinement, Mr. Hanyu listens and moves to the music quite well and the choreography and program is overall a great vehicle for Mr. Hanyu's youthful and slightly out of control style. As Mr. Hanyu is young with all the fervor of youth, he is perhaps at the ideal age with the ideal style for a figure skating Romeo--now is the time for the violence, recklessness and ecstasy of adolescent emotions. The maturity and polish (as well as programs of utter seriousness and solemn probity) should and will come later.
飞天神猪 发表于 2012-3-2 13:13 static/image/common/back.gif
现在就是身体素质弱,体力差.
等强壮起来不得了.
遗传的原因吧，可能就不是能壮起来的那种。不过做运动员的体质也差不到哪去，二郎世锦赛一定要给力呀 七酱 发表于 2012-3-5 11:14 static/image/common/back.gif
牛牛，好可爱
这娃真心不错呀~长得也满萌的~还有大长腿~动作也是又美又流畅~{:soso__12366737068859477604_4:}
http://ww3.sinaimg.cn/large/927aea5dgw1dnpupqoe4jj.jpghttp://ww4.sinaimg.cn/large/6bb21e64gw1dnne7s16gcj.jpg 世界舞台への誓い 1 羽生結弦 村上佳菜子
两人一笑都是月牙了
http://player.youku.com/player.php/sid/XMzM2NDg4MDgw/v.swf
世青赛归国 直播间生出演
http://player.youku.com/player.php/sid/XMzU2NjU1MjI0/v.swf Stars On Ice 2012 羽生結弦 interveiw
http://player.youku.com/player.php/sid/XMzQwMzA3OTA4/v.swf
花滑新星 羽生结弦 16岁 Hanyu Yuzuru
http://player.youku.com/player.php/sid/XMzU0NjA3NTc2/v.swf 【日本男性美白大趋势】日本网络调查显示：约1/5的日本男性有美白愿望。调查中，艺人小池徹平、岡田将生、GACKT、西川贵教，运动员内田笃人、羽生结弦等被评为有名的日本美肤白男子。
http://ww2.sinaimg.cn/large/6a802023jw1dpabufevk2j.jpg <Evgeni Plushenko 29歲>Interview：我想要剩下名在歷史上。目標sochi Olympic。2月在慕尼黑接受手術。不去世界冠軍 Q:「在日本的Rival是誰?」是Yuzuru。他非常極好的Skater、Artist、Jump好。看著他想起從前的自己。還是與17歲年輕。不過只要我看、就他NO1☆ 皇帝讚揚了Yuzu！ ↓17歲的Plu&Yuzu
http://ww3.sinaimg.cn/large/679906dcgw1dpp5q3ip5fj.jpg